![]() ![]() Starting in the 20th century, psychologists tended to assume that a kid had reached a high level of drawing development if she could depict something realistically. If the drawing seems angry or dark, they might worry about what it means.īut experts say these responses rely on an outdated understanding of children’s drawing. Observers tend to laugh these sorts of things off as a kid’s erratic artistic process. There was a sideways house (or was it a knife?) a giant tooth resembling candy corn a supposed self-portrait consisting of an oval with some jagged lines in the middle. In either case, a common reaction is to smile and ask, “What’s it supposed to be?”Īfter all, these creations rarely look like anything fully recognizable or “real.” I uncovered a host of idiosyncrasies after asking parents about their kids’ art. Or she might think it’s ridiculous or downright terrifying. A bystander might think the art-or at least the fact of its existence-is cute. I just thought this was interesting insight on what the intent of the figure might have been - possibly a large harvest as well as a women's fertility.Īlso, much like the laughing Chinese Buddha's fat belly represents happiness, do you think the same could be said for this figure? Just throwing thoughts out there.High on the list of awkward social interactions is the moment when a dentist or a co-worker shows off her young child’s nonsensical art. I realize humans didn't begin to work the land until around 11,000 BCE, and the Venus of Willendorf was created between 24,000 and 22,000 BCE. Such figures also signify the importance of human mothers, for villages flourished only if women produced and sustained each new generation." These societies therefore sought to communicate with goddesses in the form of statuettes of unmistakable earth-mothers with large buttocks and breasts, whose fertile bodies, it was hoped, would make the soil productive. When people feared that their own efforts might not solve life's problems, they turned to divine powers for help. "Early farmers were naturally much concerned with fertility. I'm currently reading a book about early civilizations, and I thought this piece of text was interesting/relevant. Some scholars have suggested her head is obscured by a knit cap pulled downward, others suggest that these forms may represent braided or beaded hair and that her face, perhaps once painted, is angled downward. Instead, our attention is drawn to seven horizontal bands that wrap in concentric circles from the crown of her head. No eyes, nose, ears, or mouth remain visible. As enigmatic as the lack of attention to her limbs is, the absence of attention to the face is even more striking. The artist carved the figure’s upper arms along her upper torso, and her lower arms are only barely visible resting upon the top of her breasts. We may infer from the small size of her feet that she was not meant to be free standing, and was either meant to be carried or placed lying down. This is particularly noticeable in the figure's limbs, where there is little emphasis placed on musculature or anatomical accuracy. ![]() ![]() In contrast, the sculptor placed scant attention on the non-reproductive parts of her body. The Corvette is a convenient example, but the same exercise could be applied to iPods, Coca-Cola bottles, suits, or any other object that changes over time. If then given a picture of a Corvette from an unknown year, you could, on the basis of stylistic analysis, generally place it within the visual chronology of this car with some accuracy. If presented with pictures of the Corvette’s development from every five years to establish the stylistic development from its earliest model to the most recent (for example, images from the 1953, 1958, 1963, and all the way to the current model), you would have a general idea of the changes the car underwent over time. The first Chevrolet Corvette was sold during the 1953 model year, and this particular car has gone through numerous iterations up to its most recent version. A simple example can illustrate this method. By correctly fitting the unknown object into this stylistic chronology, scholars can find a very general chronological date for an object. ![]() Relative dating is an easily understood process that involves stylistically comparing an object whose date is uncertain to other objects whose dates have been firmly established. ![]()
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